My work begins with a sustained inquiry into how perception comes into being.
The emotions and impulses that exist before language are the true origins of my practice.

I approach animation and moving image as a transitional space between senses—
where light acquires tactility, sound takes on form, and emotion reveals itself through synesthesia.
For me, creating is a process of allowing inner experience to locate its form in the external world—
a perceptual structure that remains unnamed yet undeniably present.